Literatur
Ersoy, A. (2015). Architecture and the Late Ottoman Historical Imaginary. Reconfiguring the Architectural Past in a Modernizing Empire. Ashgate.
Graves, M. S. (2021). Spatchcocking the Arabesque. Big Books, Industrial Design, and the Captivation of Islamic Art and Architecture (pp. 19–55). In A. Leonard (ed.). Arabesque without End. Across Music and the Arts, from Faust to Shahrazad. Routledge.
Launay, M. de (1873). Die Ottomanische Baukunst / L’Architecture ottomane / Uṣūl-i Miʿmāriyye-i ʿUsmaniyye… Mehr
Ersoy, A. (2015). Architecture and the Late Ottoman Historical Imaginary. Reconfiguring the Architectural Past in a Modernizing Empire. Ashgate.
Graves, M. S. (2021). Spatchcocking the Arabesque. Big Books, Industrial Design, and the Captivation of Islamic Art and Architecture (pp. 19–55). In A. Leonard (ed.). Arabesque without End. Across Music and the Arts, from Faust to Shahrazad. Routledge.
Launay, M. de (1873). Die Ottomanische Baukunst / L’Architecture ottomane / Uṣūl-i Miʿmāriyye-i ʿUsmaniyye. Imprimerie et lithographie centrales.
McAuley, G. (2021), Translation. Ottoman Architecture. Art in Translation (Ottoman Architecture at the 1873 Vienna World’s Fair), *13*(1–3), 36–118.
Roberts, M., & Williams, S. (2021). A Monumental Book. Ottoman Architecture at the 1873 Vienna World’s Fair. Art in Translation (Ottoman Architecture at the 1873 Vienna World’s Fair), *13*(1–3), 2–33.
Weniger Ausstellungen
1873: Weltausstellung, Vienna.
18.5.2024–1.9.2024: Luminosité de l’Orient, Vitromusée Romont