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US_42: Heraldic Panel with Soldier
(USA_Princeton_PrincetonUniversityArtMuseum_US_42)

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Title

Heraldic Panel with Soldier

Type of Object
Artist / Producer
Place of Manufacture
Dating
16th century (second quarter)
Dimensions
32.4 x 22 cm (12 ¾ x 8 ½ in.)

Iconography

Description

A man wearing a breastplate and faulds that extend to his knees holds a halberd and stands on a narrow platform. A yellow shield with a housemark is on the right. He is dressed in red trousers and stockings and wears voluminous red sleeves and a black hat decorated with white feathers. He stands against a wooded landscape with low hills and an edifice with towers. The scene is framed by composite columns with a voluted base, brown shafts and yellow capitals. Above this scene, another landscape shows a man and woman on the left seated at a table embracing while on the right, a man and woman stand and also embrace.

Iconclass Code
33C23 · couple of lovers
46A122 · armorial bearing, heraldry
Iconclass Keywords
Heraldry

Unidentified arms: Or a letter A sable surmounted by a cross sable.

Inscription

Bernhart Schärer zu Schaffhausen (replacement. Bernhard Schärer of Schaffhausen)

Signature

none

Technique / State

State of Conservation and Restorations

The inscription panel is a replacement. All else is intact. A few mending leads near the man’s feet and in the upper landscape do not mar the legibility of the panel.

Technique

The window contains yellow, orange, and mauve glass in the architecture and shield. Red flashed glass, abraded in one of the sleeves, appears in the man’s clothes. Blue glass treated with silver stain to produce green areas is used for the landscape in the central panel. Uncolored glass with vitreous silver stain forms the upper panel and the man’s body and armory as well as the floor.

History

Research

The image is a standard format for a heraldic representation. The proud citizen/soldier demonstrates his readiness to take up his arms in defense of his city. The representation of amorous couples above may refer to the parable of the Prodigal Son (Luke 15:11–32), here being lured by prostitutes so that he spends all his inheritance.

Enamel paints are absent in the piece, an indication of an early date. The depiction of landscape exploits the effect of silver stain on blue glass to depict leaves and ground… More

Dating
16th century (second quarter)
Period
1525 – 1550
Original Donor

unknown

Previous Location
Place of Manufacture
Previous Owner

Stanley Mortimer, Princeton class of 1919

Inventory Number
y1961-51

Bibliography and Sources

Literature

Hasler, R. (2010). Die Schaffhauser Glasmalerei des 16. bis 18 Jahrhunderts, Corpus Vitrearum Reihe Neuzeit, vol. 5, Bern.

Raguin, V., & Morgan, N. (1987). Stained Glass before 1700 in American Collections: Mid-Atlantic and Southeastern Seaboard States. Corpus Vitrearum Checklist II, ed. and intro. Madeline H. Caviness and Jane Hayward (Studies in the History of Art, 23), Washington DC.

Record of the Princeton University Art Museum (1963) 22/1, Princeton University NJ.

Image Information

Name of Image
USA_Princeton_PrincetonUniversityArtMuseum_US_42
Credits
Michel M. Raguin, with the permission of the Princeton University Art Museum, Princeton NJ, USA (artmuseum.princeton.edu)
Link to the original photo
Copyright
Public Domain

Inventory

Reference Number
US_42
Author and Date of Entry
Virginia C. Raguin 2024