Bestelltes Bild

US_23: Heraldic Panel Heinrich Fleckenstein and Elisabeth Meyer
(USA_LosAngeles_LACMA_US_23)

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Titel

Heraldic Panel Heinrich Fleckenstein and Elisabeth Meyer

Art des Objekts
Künstler*in / Hersteller*in
Datierung
1662
Masse
67.3 x 50.8 cm (26 ½ x 20 in.)

Ikonografie

Beschreibung

Arms of husband and wife are set within an elaborate baroque architectural frame. The shields are surmounted by barred helms with rich mantling of the heraldic colors. Their crests are silhouetted against white and yellow ribboned grounds. A balustrade extends across the top of the panel; it surmounts a red double arch whose center presents a shield with the IHS monograph for Jesus within a blue cartouche. At the sides are the name saints of the donors, to the left the Holy Roman Emperor Henry II who carries the cathedral of Bamberg, and to the right, Elizabeth of Hungary who gives food to a beggar… Mehr

Iconclass Code
11H(ELIZABETH) · männliche Heilige (ELIZABETH)
11H(HENRY) · Kaiser Heinrich II. (von Bamberg); mögliche Attribute: Krone, Lilie, Kirchenmodell, Kugel, Zepter, Schwert
45A10 · Symbole, Allegorien des Krieges; Ripa: Guerra
46A122(FLECKENSTEIN) · Wappenschild, heraldisches Symbol (FLECKENSTEIN)
46A122(MEYER) · Wappenschild, heraldisches Symbol (MEYER)
Iconclass Stichworte
Heraldik

Arms of Fleckenstein, Heinrich: quarterly, 1 and 4 per bend purpure a reichsapfel or bendy of four or and vert; 2 and 3 per pale and sable (Unidentified); crest on a ducal coronet a demi-vol charged bendy as the first mantling of the colors (RIGHT) on a ducal coronet two buffalo horns charged as the second
Arms of Meyer, Elisabeth: argent a pale sable charged with two broad arrows proper; crest on a wreath of the colors a demi-moor garbed and charged as the field; mantling of the colors

Inschrift

Hr. Obrister Heinrich Flecke[ . . . ] Ritter/ Schultheiβ und Pannerherr Lob[ . . . ] Lu=/ =cern Herr Zu Heidigg U [ . . . ] / Meÿerin sein Ehegemac [ . . . ] (state in 2009)
Hr. Obrister Heinrich Fleckenstein Ritter/ Schultheiβ vnd Pannerherr Loblicher Statt Lu=/ =cern Herr Zů Heidegg Vnd fraw Elisabetha/ Meÿerin sein Ehegemachell. Anno 1662 (photograph of 1985. Colonel Heinrich Fleckenstein, Knight, Mayor and Standard Bearer of the worthy city of Lucerne. Lord of Heidegg. Mrs. Elisabeth Meyer, his wife, in the Year 1662)

Signatur

none

Technik / Zustand

Erhaltungszustand und Restaurierungen

When examined in 2009 by the author, the leading was extremely fragile. Referencing a photograph from 1985, it is evident that significant portions of the inscription plate and border to the right have been lost, as well as a small section of the mantling of the wife’s arms and the cannon to the left. There are a number of unmended cracks, as well as numerous repair leads. The painting, however, is intact, with almost no corrosion or weathering

Technik

The panels are composed of uncolored glass with silver stain, sanguine, and blue, green, purple, and pink enamel. Enamel colors are applied with an even consistency. The painter makes consistent use of uniform mat washes that are then enhanced through the addition of trace and an additional medium wash, as well as varied stick work. Backpainting appears most often as a solid matte to emphasize a darker shade.

Entstehungsgeschichte

Forschung

Between 1662 and 1669, a series of panels was apparently created for the Lucerne Rathaus by Jakob Geilinger the Elder (1611–1677), a prominent painter in mid-seventeenth century Lucerne (Lehmann, 1941, pp. 200–210, figs. 285, 286; Habegger, 2001, pp. 103–106). Despite the repeated format, they are lively and varied. The donors are honored by the display of lineage, and at the same time invoke piety through the presence of patron saints. The inscription names the man as a member of the Inneren Rhats (Inner Council) of the Praiseworthy City of Lucerne and a number of the families appear to be interrelated… Mehr

Datierung
1662
StifterIn

Fleckenstein, Heinrich · Meyer, Elisabeth

Ursprünglicher Standort
Rathaus, Luzern · Grosser Ratssaal
Herstellungsort
Vorbesitzer*in

The panel was in the dealership of the Charles Gallery, New York, before being acquired by William Randolph Hearst (notes on Hearst Inventory 1943). Hearst donated the panel to the museum in 1943; it was accessioned in 1945.

Inventarnummer
45.21.30

Bibliografie und Quellen

Literatur

Habegger, U. (2001). Jahrbuch der Historischen Gesellschaft Luzern 19.

Hayward, J. (1989). Stained Glass before 1700 in American Collections: Midwestern and Western States. Corpus Vitrearum Checklist III, ed. and intro. Madeline H. Caviness and Jane Hayward (Studies in the History of Art, 28), Washington, 1989.

Herder Lexikon (1968-76). Lexikon der christlichen Ikonographie, ed. Engelbert Kirschbaum, 8 vols., Rome.

LACMA Quarterly 1945: "The William Randolph Hearst Collection of Medieval and Renaissance Stained and Painted Glass," Quarterly of the Los Angeles County Museum, vol… Mehr

Bildinformationen

Name des Bildes
USA_LosAngeles_LACMA_US_23
Fotonachweise
Los Angeles County Museum of Art, Los Angeles CA, www.lacma.org
Copyright
Public Domain

Inventar

Referenznummer
US_23
Autor*in und Datum des Eintrags
Virginia C. Raguin 2024